
8/18/2005 c1
20Pheobe Meryll
Oh, I love this!...so true.You are so good with descriptions. Irregular but bea-u-ti-ful.

Oh, I love this!...so true.You are so good with descriptions. Irregular but bea-u-ti-ful.
7/22/2005 c1
78acrobia
Simply marvelous! I love the tone and the rymth of this poem, as well as the finely-tuned description that just inspires awe from the reader! Short, but definatly enchanting!xo - Acrobia

Simply marvelous! I love the tone and the rymth of this poem, as well as the finely-tuned description that just inspires awe from the reader! Short, but definatly enchanting!xo - Acrobia
7/18/2005 c1 catseyeview
I hope you try to publish your works somewhere...I haven't been dissapointed yet...in whatever I've read of yours
I hope you try to publish your works somewhere...I haven't been dissapointed yet...in whatever I've read of yours
7/17/2005 c1
98hurtmushroom
thanks for the nice review! liked this one a lot, esp. that 2nd line "and brown 'are you smitten?' eyes", really great! keep it up! cio, hoellenwauwau

thanks for the nice review! liked this one a lot, esp. that 2nd line "and brown 'are you smitten?' eyes", really great! keep it up! cio, hoellenwauwau
7/16/2005 c1
24becoming . blasphemous
'and brown "are you smitten? eyes'
I love that line! Nice. You poem seems like you really thought it out too.

'and brown "are you smitten? eyes'
I love that line! Nice. You poem seems like you really thought it out too.
7/15/2005 c1
3The Proxy Ninja
Lol! I'm reminded of those guys who try to look at you from their driver's seat at you in the passenger seat while you're at a stoplight. And they're -screaming- with their eyes and oozing charm, but out of pride, you know it's best not to look at them. And they have the music REALLY loud and everything out their presence at that very moment is annoying and commanding.
I think because I'm sort of an ass, I look -directly- at them and give them the old eye. lmfao
Then they're not so confident afterwards.
These images- I was commenting on reluctant writer's pieces, and saying how I get the best of both worlds bouncing from site to site, especially when I'm feeling blue. Her work has a lot of the psyche and appeal to emotions, and this is how she emotes. You emote through these really vivid images and words that just grab people by the eyeballs and twist their sockets in knots around your written fingers. I think after I read The Cross, I'll be reading most of the old work just for my own sheer enjoyment.
E. Well, you could evidently see- this was a -very- thought-provoking piece. lmao

Lol! I'm reminded of those guys who try to look at you from their driver's seat at you in the passenger seat while you're at a stoplight. And they're -screaming- with their eyes and oozing charm, but out of pride, you know it's best not to look at them. And they have the music REALLY loud and everything out their presence at that very moment is annoying and commanding.
I think because I'm sort of an ass, I look -directly- at them and give them the old eye. lmfao
Then they're not so confident afterwards.
These images- I was commenting on reluctant writer's pieces, and saying how I get the best of both worlds bouncing from site to site, especially when I'm feeling blue. Her work has a lot of the psyche and appeal to emotions, and this is how she emotes. You emote through these really vivid images and words that just grab people by the eyeballs and twist their sockets in knots around your written fingers. I think after I read The Cross, I'll be reading most of the old work just for my own sheer enjoyment.
E. Well, you could evidently see- this was a -very- thought-provoking piece. lmao